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Community of Communities
Natalia Shevchenko – Video Archive Film ‘98
25 September 2025, Double Room, Intourist-Zakarpattia Hotel

Presenting unknown archival video, Natalia Shevchenko draws attention to neglected recordings that document the cultural atmosphere of a particular time and represent how art and artists interacted with society, institutions, politics, and other cultural phenomena. A rare video by Olexander Sabov from the 1998 group exhibition ‘Museum and Contemporary Art’ at the Y. Bokshay Art Museum, curator Volodymyr Dehtiariov, initiated by the PopTrans group, accidentally captures a performance by artist Natalia Shevchenko. As a means of visual documentation, the recording allows us to preserve and, in a certain way, convey the performance as a work of art that, by its nature, exists within a specific time frame.

The SNRA residence draws attention to the role of culture and art during the russian-Ukrainian war, aims to implement institutionally critical projects related to cultural heritage (tangible and intangible), and facilitate the development of artistic-cultural institutions. The SNRA residency program, the Community of Communities project and Natalia Shevchenko’s participation are funded by the Swedish Institute in the frame of its Ukraine Cooperation Programme.

Photo documentation of the presentation.
Photo credit: Mykhailo Melnychenko

The projection images on the wall in photos are frames from a video by O. Sabov, provided by P. Kovach. From the exhibition: “Museum and Contemporary Art”, curated by Volodymyr Dehtyariov, Transcarpathian Art Museum named after Y. Bokshay, 1998.

Photo documentation of Natalia Shevchenko’s performance “Klobuk”, Double Room, Intourist-Zakarpattia Hotel, Uzhhorod, September 25 2025. Photo credit: Mykhailo Melnychenko. The projection frames on the walls in photos 2-7 and 9 are credits frames from a video by O. Sabov, provided by P. Kovach. From the exhibition: ‘Museum and Contemporary Art’, curated by Volodymyr Dehtyariov, Y. Bokshay Transcarpathian Art Museum, 1998.